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"I'm ready now, miss, if you are," says Mickey from the background, with the utmost bonhommie, and in a tone that implies he is quite willing not to be ready, if it so pleases her, for another five minutes or so, or even, if necessary, to efface himself altogether. He is a stalwart young Hibernian, with rough hair and an honest face, and gray eyes, merry and cunning, and so many freckles that he looks like a turkey-egg. But the deer began to grumble and said, "Well, it is true that out here on the prairie you have beaten me, but this is not where I live. I only come out here once in a while to feed or to cross the prairie when I am going somewhere. It would be fairer if we had a race in the timber. That is my home, and there I can run faster than you. I am sure of it." "Now come and see my own room," says Mona, going up to Rodney, and, slipping her hand into his in a little trustful fashion that is one of her many, loving ways, she leads him along the hall to a door opposite the kitchen. This she opens, and with conscious pride draws him after her across its threshold. So holding him, she might at this moment have drawn him to the world's end,—wherever that may be!.
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He raises his hat, and, turning abruptly away, is soon lost to sight round a curve in the winding pathway. He walks steadily and with an unflinching air, but when the curve has hidden him from her eyes he stops short, and sighs heavily. Success at last rests with her. Slowly the panel moves, and, sliding to one side, displays to view a tiny cupboard that for many years has been lost sight of by the Rodney family. It is very small, about half a foot in depth, with three small shelves inside. But, alas! these shelves are empty. "Well, but it was a little hard on your father, wasn't it?" says Mona, gently. "If you can say that again now, in cold blood, after so many hours of thought, you must be indeed heartless," says Rodney; "and"—standing up—"I may as well go.".
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